Interior Design

Design Scene

Members of the American Society of Interior Designers (ASID) Washington Metro Chapter gathered at the Washington Design Center on September 24 for their annual awards celebration. ASID members from other chapters and Home & Design staff judged the competition; photos and complete listing of the award-winning projects appear here.
Commercial: Detail/Small Unique Space—Maria Causey, Allied ASID, Olamar Interiors. Reston Commercial.
Residential: Detail/Small Unique Space—Lorna Gross-Bryant, ASID, Lorna Gross Interior Design. Row House Refuge.
Residential: Kitchen/Bath—Cynthia L. McClure, ASID, MCR, CKD, GCP, and Jenna Randolph, Grossmueller’s Design Consultants, Inc. DH Master Bath.
Residential: Multiple Spaces—Therese Baron Gurney, ASID, Baron Gurney Interiors. bm Modular One.
Commercial: Hospitality Design—Kendall P. Wilson, ASID, FAIA, FIIDA, LEED Fellow, Perkins+Will. Kimball Office, Washington, DC Showroom.
Residential: Single Space—Andrea Houck, Associate ASID, A. Houck Designs, Inc. Esber Family Home.
Commercial: Government/Institutional—Gretchen Ginnerty, Allied ASID, and Tom Wheeler, cox graae + spack architects. The Field School.
Commercial: Corporate Office—Gavin W. Bowie, ASID, AIA; Gavin H. Daniels, AIA, IIDA; and Natalie J. Hnatiw, Wingate Hughes Architects. nclud.
Commercial: Healthcare—Barbara Huelat, FASID, and Amanda Logatto, ASID, Huelat Davis. Dermatology Suite.
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Cachet: ’Tis the season

A room festooned with lush greenery perfectly signals the holiday season. For example, the Donatella Amberly Manor Greenery Collection for Frontgate (part of a holiday line by restaurateur and TV personality Donatella Arpaia) adorns a home in style. More holiday-decoration ideas are on view above.

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Beauty Spot

Interior designer Jennifer Wagner Schmidt truly embraces the process of transformation—so remodeling a hopelessly dated condominium in Chevy Chase was a welcome challenge. “The condo was in its original 1970s form, with stained carpets, dirty walls and old Formica countertops,” Schmidt recalls. “My client wanted a complete redo.” Before Schmidt and the owner, a fashion professional, could tackle the fun parts like picking fresh finishes and furnishings, certain structural fixes were needed. First, one of the bedrooms in the three-bedroom/two-bath unit became a small office off the master bedroom with a coveted walk-in closet. Cutting back dead drywall space also created a more expansive foyer.
When they were ready to focus on furnishings, the owner asked Schmidt to infuse the apartment with glamour. “She loves white and gold, art and fashion, and she likes to travel,” says the designer, adding, “We had all that in common.”
Ebonized hardwood floors and white marble tile replaced dreary wall-to-wall carpet. The marble was laid on the diagonal for a fun twist. Throughout, an ugly popcorn ceiling was removed and the whole condo refreshed with paint.
“By opening up the space and using reflective elements and luxury finishes, we created a glam bachelorette pad,” says Schmidt. The designer stuck with gray shades of wall paint, except in the living room where she covered the walls with textured paper in a natural-pearl hue with a slight shimmer. By contrast, the room’s plain aluminum window casings were painted matte black to frame views of urban Friendship Heights and update the overall look of the space.
A focal point in the living room is a silk scarf the owner purchased in Brazil; Schmidt had it framed in a Lucite shadow box and hung between two bookshelves. Pulling from the scarf’s colors, Schmidt honed in on a soft palette reflected in blush-colored velvet pillows, a faux-fur rug and a tufted, leopard-print chenille bench and accent pillows.
“For lighting, my client wanted feminine gold statement pieces,” says Schmidt. “She also likes crystal.” Finding the right lighting for the living room, where ceilings are only eight feet high, was a challenge. Luckily, Schmidt discovered a pair of beautiful gold-and-crystal light fixtures to hang near the ceiling at either end of the space.
“In the dining room, which I’d painted a high-gloss charcoal gray, I wanted something that I could hang lower, so I got a high-contrast, white-lacquered chandelier,” the designer explains. The cobalt blue hue in the artwork finds its way into the velvet host chairs that flank the marble-topped table, while the other dining chairs sport chenille upholstery in pale gray.
“The existing kitchen, which we gutted, was rather small,” says Schmidt. She selected an antiqued-mirror backsplash to make it feel larger and dressed the room up with chocolate-brown cabinets and white quartzite countertops. A matching bar with the same cabinetry was installed in the adjacent dining room.
Finally, Schmidt imparted a touch of glam in the master bedroom. An accent wall is painted pale mint and overlaid with a gold trellis pattern. “We didn’t want the bedroom to be all white,” she explains. “The client had originally wanted a brighter turquoise, but I felt the subdued mint was more appropriate, yet still gave her color.”
And so it went between client and designer, while the dated, frumpy condo evolved into a sophisticated yet youthful home.
“It was a true collaboration,” Schmidt reports. “We started by having common interests, and ultimately ended up becoming friends through the creative design process.”
Writer and stylist Charlotte Safavi is based in Alexandria. Stacy Zarin Goldberg is a photographer in Olney, Maryland.
INTERIOR DESIGN: JENNIFER WAGNER SCHMIDT, JWS Interiors, Ashburn, Virginia. STYLING: CHARLOTTE SAFAVI.

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Artistic Eye

Downsizing from a house to an apartment typically requires the shedding of possessions, from furnishings to books and artwork. But for Jackie Chalkley and her husband, C. Wayne Callaway, moving from their modern, architect-designed home in Woodley Park to a two-bedroom condominium in Wesley Heights meant renovating to accommodate all their favorite belongings without overwhelming the smaller space.
Chalkley, once a potter, is best known for her three eponymous fashion boutiques in Washington, DC, that pioneered the wearable art concept. She closed those businesses in 1999 and has recently turned her artistic eye to interior design. “I’ve always worked with design in terms of products and presentation, so it wasn’t new for me to think about it in terms of space and planning,” she says, noting a current project she has undertaken to update the public spaces of the 1970s building where she and Callaway live.
Chalkley oversaw the renovation of their two-level condo, transforming outdated interiors that had “wallpaper on every single surface,” she recalls, into clean-lined, open spaces. She and her husband purchased the apartment in 2013, drawn by elements similar to those in their previous home, including floor-to-ceiling windows, a generous outdoor terrace and balconies off the upper level.
Playing up those assets, Chalkley streamlined the main level to create a seamless living/dining suite that opens through expansive glass doors and windows to an outdoor room. “There wasn’t a rhythm or flow to the space, so that was the first thing I struggled with,” she says. “The terrace makes the interior space feel bigger and serves as another living area in warm weather.”
Chalkley also added built-in storage and shelving in nearly every room; the units eliminate clutter and leave plenty of space to display paintings, prints and sculpture. “I wanted the design to be very minimalist with specific places for our artwork,” she says.
On the living room wall next to the seating area, vertically slatted piers conceal a china closet and a heating/cooling unit. They also frame a niche that showcases a large painting by the late New York artist David Shapiro. The arrangement is repeated on the opposite wall of the dining area to set off a cluster of earth-daubed paintings by New York artist Alan Sonfist.
Sofas, chairs and lamps are by French designer Christian Liaigre, whose projects include the Mercer Hotel in New York. “His pieces are beautifully proportioned and unpretentious,” notes Chalkley. “They are contemporary in an understated, classic way.”
Although the ceiling height in the apartment is only eight feet, the owner installed tall ficus trees and a pair of wooden ladders from Mali in the living area. “They lend verticality to the space, almost in a way that defies the height limitation,” she explains.
To save costs, Chalkley overhauled the kitchen with IKEA cabinets but splurged on high-end appliances and marble countertops. A tiny breakfast nook with a table and a banquette is tucked in between the cabinets, and even this small space incorporates artwork: a print by Spanish artist Antoni Tàpies.
Next to the kitchen, the staircase leading to the upper level was remodeled with a simple enclosure and dark-stained wood treads that echo the flooring on the main level for visual continuity. A multi-piece sculpture by Washington, DC, artist Yuriko Yamaguchi serves to anchor the transitional space.
In the hallway leading to the two bedrooms on the upper floor, Chalkley moved a door to make room for another art wall, now filled by two Shapiro paintings. She created an office space within the guest room by mounting IKEA shelving to display books and objects from her boutiques, and installing the custom walnut desk created by Washington, DC, designer Thomas Pheasant for her previous residence. Facing the desk, photographs by Linda Connor hang in a grid pattern. In the adjacent master bedroom, IKEA cabinet doors were cut down to create a headboard, and twin portraits by Paris-based painter James Brown were mounted above the bed.
Renovating and repurposing the belongings from her previous home has been a valuable experience for Chalkley. As she reflects, “This downsizing project has given me insights that should be useful to my clients who are facing similar transitions going forward.”
Writer Deborah K. Dietsch is based in Washington, DC. Maxwell MacKenzie is a photographer in Washington, DC.
INTERIOR DESIGN: JACKIE CHALKLEY, Jackie Chalkley, Washington, DC.

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Modern History

When then-newlyweds Spence and Renata Patterson purchased a century-old house in Chevy Chase, Maryland, in 2009, they planned to update the kitchen and move right in. But the project soon spiraled into something much bigger. By the time the couple took up residence two years later, they had renovated and outfitted the entire place. Through it all, their mantra remained constant: “Respect the bones of the house.”
“The home has this big wraparound porch and great street presence,” explains Renata. “We couldn’t see ourselves walking into super-contemporary spaces.”
Instead, they envisioned an old house “jazzed up a bit,” as Spence says. Modern, but respectful.
The dwelling’s past certainly warrants the tribute. In the late 1800s, DC developer Harry Martin bought land bordering Cummings Farm, the last working farm in Chevy Chase, and began selling lots. The Pattersons’ abode, built in 1916, is one of the originals in the community now known as the Village of Martin’s Additions.
A 1997 remodel by previous owners preserved the farmhouse-style exterior and, through a three-story addition, increased the size to 4,200 square feet. But inside, it left a legacy of chopped-up spaces and dated features. The Pattersons brought together architect Mark Giarraputo and builder Patrick Keating to reconfigure and rejuvenate the interiors while preserving the home’s architectural lineage.
Except for a small mudroom added onto the back, the project stayed within the home’s existing parameters. The design team knocked out walls to improve the flow and open up the kitchen; added and replaced windows; and relocated the great room’s fireplace to an interior wall to capture the backyard view. The kitchen and all five bathrooms underwent total transformations. And crisp architectural elements, such as new ceiling treatments in the dining and great rooms, now reinforce a modern sensibility.
The homeowners, who both work for the federal government, reached their project-management limit about six months into the design-build process. “There’s an overwhelming number of decisions you have to make,” reveals Renata. “We hit the point where we couldn’t do it anymore. It was a full-time job.”
So they approached designer Mike Johnson, formerly of DC-based Lori Graham Design + Home. One meeting convinced them to bring Johnson on board. “Mike walked around and said, ‘We could do this and we could do that.’ It terrified me, but I kind of liked it, too,” admits Renata.
Johnson helped them choose materials, finishes and fixtures that, he explains, “appreciate the older house.” The kitchen redesign, for example, features time-honored marble countertops on the two islands and hand-scraped, wide-plank oak flooring. Stacked stone replaced overpowering river rock when the fireplace shifted to its new position in the great room.
Before the dust cleared, Johnson began an interior-design plan “to play up the home’s character but reflect an updated feel,” he says. Sophisticated hues went a long way toward creating the desired look. “We suggested a neutral palette,” he continues. “The gray tones work well with the materials used in the house. The only color is from art and fabrics.”
Indeed, vibrant artwork—including a Teo González abstract commissioned for the dining room—is sprinkled throughout the house. Andy Warhol lithographs from his “Endangered Species” series hang in the repurposed living room, now a cozy, grasscloth-clad library off the foyer. “They’re perfect on the dark grasscloth,” explains Johnson. “Additional color in the room would fight with them.”
Creating an environment for guests was paramount, as friends and family visit often. “We didn’t want a cold, sterile house,” says Renata. “We like to have people over and didn’t want them to feel like they couldn’t sit down.”
Johnson’s design scheme is approachable, yet dramatic. The foyer combines a playful, geometric rug with glamorous, glass-bauble lighting. A spirited interpretation of a classic wing chair invigorates the adjoining dining room, while a shimmery, Capiz-shell pendant offsets relaxed furniture in the main gathering area. But the most dramatic space by far is the upstairs master bedroom, where the designer challenged his clients’ comfort zone with bold moves, such as marrying two fabrics on an upholstered settee. The new suite wasn’t ready when the couple moved in, so they slept in converted-attic guest quarters on the third floor for the first six months.
For the Pattersons, the long wait paid off. “We were on vacation when Mike installed the master bedroom,” recalls Spence. “The coolest part of the entire process for me was walking into that room. It looked so spectacular. I thought, ‘Okay, six months of living on the top floor? Totally worth it.’”
Writer Catherine Funkhouser is based in Arlington, Virginia. Kevin Allen is a photographer in Washington, DC.
ARCHITECTURE: MARK GIARRAPUTO, Studio Z Design Concepts, Bethesda, Maryland. INTERIOR DESIGN: MIKE JOHNSON, Lori Graham Design + Home, Washington, DC. BUILDER: PATRICK KEATING, PKK Builders, Garrett Park, Maryland.

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Quiet Refuge

A light snow covered a wooded Great Falls, Virginia, property in a lacy veil as a couple pulled into the driveway. On a whim, they’d followed “open house” signs here after going for brunch nearby. Having relocated from Chicago the previous year, they’d spent 18 months living in a DC apartment while looking for the perfect home.
Their hopes plummeted when they glimpsed the dark and dated 1950s rambler for sale. But the real estate agent on site convinced them it was worth a look inside, where they were greeted by a stunning view of the four-acre lot through a wall of windows in the open living/dining room. Looking past the saffron-colored walls, oddly placed chair rails and swag, they agreed the house had potential.
“We literally walked into a 1950s time capsule,” the husband recalls. “But it was solidly built and hadn’t been altered in any way.”
Taken by the house’s clean lines, simple layout and generous glass exposures, the couple bought the property in 2014 and hired interior designer Barbara Hawthorn to bring it into the 21st century. She embarked on a comprehensive, five-month makeover that would strip the interiors down to the studs, replace the original floors and windows, upgrade the electrical and lighting systems and overhaul the outdated kitchen and baths.
Hawthorn also redefined the interior architecture, removing moldings and wainscoting and concealing brick walls. “When I start a project, I can see ‘beyond.’ I look at the bones, I look at the structure, I look at the flow of a space and I get rid of all of the static,” she says.
The couple envisioned their new home as a soothing escape where they could recharge and unwind. “Their lifestyles are so busy, they realized they wanted a more bucolic setting, a retreat where they can really relax,” the designer explains.
To create this environment, she focused on a soft, neutral color palette; richly textured fabrics and floor coverings; and organic materials that would blend in with the natural surroundings. In the living room, a wall of tiles by Porcelanosa, billowing Stroheim drapes and fabric depicting gingko leaves on new lounge chairs convey minimal, understated elegance. Serene blues impart a sense of calm in the master bedroom, from the grasscloth wallcovering to the damask bedding and luxurious drapes.
One of Hawthorn’s greatest hurdles was finding a way to meld the aesthetic her clients wanted with the pieces they each brought from their disparate collections. Married just three years ago, the homeowners both travel extensively. The husband, who spent decades in the diplomatic corps, has amassed a vast collection of Asian art and antiques. The wife, who grew up in Europe, has inherited a number of family heirlooms and antiques. “Making the antiques come together and live compatibly was a challenge,” Hawthorn relates.
Throughout the home, the designer expertly bridged the gap between styles. The squared-off, geometrical chairs in the living room stand up well to antique Korean chests flanking the fireplace. A pair of chairs and an antique desk from the wife’s collection introduce feminine lines in the bedroom, offsetting a modern armoire of Hawthorn’s design. “As far as my pieces go,” says the wife, “they were really important to me. They soften the Asian influences.”
Where possible, Hawthorn repurposed her clients’ furnishings and art, including a Japanese screen that she mounted on the living room wall and customized to conceal a TV. “To me,” says the designer, “what people have in their collections is what makes a house feel like home.”
On the lower level, she created an office for the husband with custom bookshelves to accommodate his impressive library. He also has room to display many of the mementoes he’s collected abroad. Three guest bedrooms, a new guest bathroom and a powder room welcome visitors in style.
When the couple travels these days, they can’t wait to return to their new “getaway” in Great Falls. “We just want to come home and ‘be,’” says the wife. “This is our haven, our retirement home and our vacation home—all in one.”
Kenneth M. Wyner is a Takoma Park, Maryland, photographer.
INTERIOR DESIGN: BARBARA HAWTHORN, Barbara Hawthorn Interiors, McLean, Virginia. RENOVATION CONTRACTOR: ROB LOAR, Loar Home Improvement, Mount Airy, Maryland.

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Hidden Gem

If ever Cinderella came back as a house, this enchanting beauty would be it. Once upon a time, not long ago, this same dwelling sat on the market looking drab and dreary in DC’s Forest Hills neighborhood. No one recognized its potential—that is, until Ann Roddy and Jill Johnson came along. They realized it would take all the powers of their longstanding interior designer, Nestor Santa-Cruz, to bring the home’s charms to light.
“It was truly hideous before,” Roddy says bluntly of the outmoded 1950s split-level they first encountered. Still, it held some appeal. “We were looking for a more open floor plan and fewer stairs than in our Colonial house. And from the description, it sounded like a lot of space.” The large, finished basement promised an extensive play zone for their three children, ages 10 to 13. Having worked with Santa-Cruz on two earlier houses, they were ready to consider another renovation. “We thought that with Nestor’s help, we could definitely turn it around,” explains Roddy, the founder and director of an elementary school chorus program.
Enter Santa-Cruz, as if packing a magic wand. “I walked though the space and knew what needed to be done,” he remembers. “We would not need to move anything major. All the assets were there.”
Within three months, the family moved in. The original floor plan remained. Yet throughout, a serene sense of comfort and elegance had emerged.
“It’s always a balance between visual and physical comfort; though, I admit, often the visual part wins,” says Santa-Cruz, who heads his own interior design firm. With a master’s degree in architecture, three decades as an interior designer and a lifetime studying design history, he is recognized for his ability to align classic principles and contemporary design. “Every building has assets and negatives,” he says. “If the assets are not very good, we need to turn them around.”
His solution seemed simple: Enlarge all windows and doorways to open up the house to light and nature. Gone were the small, awkward aluminum windows and shutters dotting the red-brick façade. In their place, large wood-casement and nearly full-height windows bathe the house in light. Interior doorways were raised, widened and in some cases moved, creating symmetry and stunning vistas through the main living spaces and accentuating the high ceilings on the main floor.
“This is a modern house from the ’50s,” explains the designer. “But before, it was just a series of rooms—not successful as a modern house where the rooms flow and open up. Now that’s possible, while still keeping the concept of individual, separate rooms.”
The dining room also changed dramatically. Once “dark, claustrophobic and sad,” Santa-Cruz recalls, it is now an inviting space at the center of an enfilade sweeping from the living room in the front to a screened porch and garden in back.The year-round porch and an adjoining pantry are the only additions to the home’s footprint.
In the dining room, Santa-Cruz blended casual and formal elements with unexpected touches. Philippe Starck Ghost chairs mingle with Directoire-style seating covered in luxurious velvet. Overhead, a Mondrian-esque ceiling treatment accents the architecture—a custom touch that required only a can of Benjamin Moore gold paint. Paintings of nude figures, two by sisters Cynthia and Leslie Packard, are grouped on the wall in an unconventional placement. “Even though the female form might be considered more appropriate in a bedroom or private quarters,” notes Santa-Cruz, “I thought ‘these women’ would be spectators, like the classical female figures in Salvador Dalí’s Surreal and enigmatic landscapes.”
The owners are delighted with the transformation. Roddy, who calls the living room “a special jewel,” observes, “The light is magnificent there and on the whole first floor.”
They are also pleased that Santa-Cruz was able to slip their existing furnishings into new positions. “We used everything we had,” cheerfully reports Johnson, a retired nonprofit director.
Trust between the designer and his clients helped foretell the happy ending. When Roddy first requested built-in bookcases in the living room, Santa-Cruz hesitated. He wanted to preserve the few remaining walls for art, yet he relented. “Now it’s cozier,” he concedes. “I’ve learned you have to listen, and it will make the project better.”
Similarly, it took some convincing when the designer recommended bleaching oak floors to brighten the house. “We’ve always had ebony floors and adored them,” says Johnson. “But Nestor was right. His ideas really stand the test of time.”
Even though the project is complete, the designer returns regularly as a friend. “When I’m in this house, I think I’m on vacation in L.A. or the Hamptons,” he beams. “It has urbanity and casualness, and a connection to the exterior. It’s also a Washington house that respects its locale.” Reflecting on the transformative magic of renovation, he continues, “Is this a small house, or is it big? It fools you. This isn’t about size. You don’t need to tear down a house and build a big house. This is about how character can be achieved without destruction.”
Writer Tina Coplan is based in Chevy Chase, Maryland. Photographer Angie Seckinger splits her time between Potomac, Maryland, and Spain.
INTERIOR DESIGN: Nestor Santa-Cruz, NCIDQ, IIDA, LEED AP, Nestor Santa-Cruz Decoration, Washington, DC.
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Camera Ready

CNN’s chief congressional correspondent Dana Bash knows how to prepare for a photo shoot. Breezing down the stairs of her house, she is perfectly made up and coiffed with a welcoming smile on her face. Of course, Home & Design’s camera crew is not the only one she’ll be facing on this day. She will soon be on her way to CNN to cover the latest political maneuverings in the House and Senate. It’s a job she’s been doing for nine years and it definitely keeps her busy.
As does her four-year-old boy, whose father is her former husband, CNN anchor and chief national corresponent John King. Bash lives with her son in the house she purchased in 2007 on a sleepy block in Northwest DC. Built in 2001, it combines clean lines and modern amenities with traditional elements like wainscoting and a stone fireplace. It also offers plenty of space for a very active child to run around.
Though Bash loves the house, she was originally drawn to the land, which accommodates a patio, swimming pool and lawn, plus blooming shrubs and brimming flowerpots. “I wanted to live in DC but still have the benefits of suburbia,” she says. “I’m very much an outside person, so the garden was important to me.”
Bash lived in the house for a number of years before deciding to decorate. She had purchased it from a designer who also sold her the classic Niermann Weeks chandelier and massive mirror that still occupy the living room and front hall, respectively. “There was enough there that I liked, so I just left it alone and didn’t add a lot of ‘me’ into it,” she says.
When she was finally ready, she hired designer Melissa Broffman, whom she knew because Broffman had worked at CNN in a previous career. Together, they tackled the house in stages. “Dana’s very decisive. She could do it all by herself; she just doesn’t have the time,” Broffman observes.
Bash characterizes her taste as “classically contemporary with a little bit of glam.” Broffman helped her choose pieces that fit her style, including a Donghia sofa paired with a gilt wall sculpture by Christopher Guy for the living room. A plush chaise in her bedroom conveys a chic but understated vibe. While Bash didn’t relinquish all the decision-making, she explains that she was confident that “Melissa knows me and would understand what I wanted.”
Throughout the house, artwork picked up during her travels clearly reflects Bash’s aesthetic—as well as a sense of whimsy and playfulness. A vibrant painting of a flower by her boyfriend, L.A.-based actor Spencer Garrett, stands front and center in the dining room, while a series of celebrity portraits by artist Richard Zarzi recently acquired in London, hangs in the living room. Numbered prints by Theodor Geisel (a.k.a. Dr. Seuss) add punches of vibrant color. A Jonathan Adler pillow depicting Jackie Onassis sits on the living room sofa, and a poster of Audrey Hepburn as Coco Chanel graces the upstairs landing. “I like empowered women who are classy and chic,” Bash says. “I like to be inspired by them.”
The daughter of Stuart Schwartz, a longtime producer at ABC, the New Jersey-born Bash moved to DC to attend George Washington University and never left. “It wasn’t about politics at the time,” she recalls. “My dad likes to joke that I graduated from college without knowing there were three branches of government! But I caught the bug pretty fast. My whole childhood, I said ‘I’ll never go into TV news—you have vacations taken away, you work crazy hours.’ Then I stopped fighting my DNA and went with it.”
Bash joined CNN right after college and has been there ever since. As a top political correspondent, she will soon be on the road covering the 2016 election. “My favorite part of the job is witnessing what will soon be history up close and personal, being part of the action,” she comments.
For Bash, downtime these days means relaxing at home with her son, who, she says, has pretty much taken over. Minutes before the camera crew arrived, “we had a rollercoaster going through the living room under the Niermann Weeks chandelier,” she laughs. “That’s why there’s no rug. My son likes it better that way! “This house makes me so happy,” she continues. “It’s the most rewarding thing for me these days, just being at home with my son.”
INTERIOR DESIGN: MELISSA BROFFMAN, Allied Member ASID, Melissa Broffman Interior Design, Arlington, Virginia. LANDSCAPE DESIGN: CHARLES DALTON, Dalton Ventures, Inc., Middletown, Maryland.
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